Samsung Galaxy by Thom Browne: Why 'Designer' Cell Phone Is No Longer a Punchline
February 18 2020 - 12:07PM
Dow Jones News
By Jacob Gallagher
LAST WEDNESDAY, as an unexpected capstone to New York Fashion
Week, designer Thom Browne presented not a new clothing collection,
but a new cell phone. It was, to be precise, his customization of
the Samsung Galaxy Z Flip phone, the ballyhooed first "foldable
glass" phone that the Korean brand unveiled a day prior during its
" Galaxy Unpacked" summit in San Francisco. This designer edition
of the phone teems with details from Mr. Browne's whimsical world:
A red, white and blue grosgrain stripe, echoing the ribbon on his
dress shirts, wraps the case; app icons are customized to look like
size labels; the phone opens with an animation of slatted Venetian
blinds like those that envelop Mr. Browne's stores. For $2,480, the
grayish phone, which went up for pre-order last Friday, comes
bundled with a pair of similarly Browne-ified earbuds and a
smartwatch.
It's a tech set designed to entice a Thom Browne completist, but
Samsung and Thom Browne won't gauge the project's success in terms
of units sold. The goal is to re-tailor customer perceptions.
Working with innovative technology can shift a fashion brand's
image to "appear more future facing," explained Jason Kass, the
associate dean at Parsons School of Fashion in New York City. For
Mr. Browne -- whose business is nearly 20 years old and is rooted
in facelifted takes on mid-century suiting -- the collaboration
telegraphs that he remains a forward-thinker.
It might have also turned new consumers -- particularly those
more interested in download speeds than inseams -- onto Mr. Browne.
Google Trends data reveals that a significant spike in searches for
the designer's name coincided with Samsung's teasing of the
partnership during a livestream event last Tuesday.
In turn, for Samsung, this liaison with the esteemed cult
designer sprinkles a little bit of Mr. Browne's clout onto the tech
giant's portfolio -- what Stephen Baker, vice president at industry
analyst NPD Group, called a "halo effect."
Wednesday's event, held at Sotheby's, brought this to life. It
was surely the only phone launch in recent memory to unfold at a
tony art auction house and boast arty attendees including Broadway
producer Jordan Roth ("Hadestown") and Jessica Williams, co-host of
the hit comedy podcast "2 Dope Queens." The device is also the
first phone that Mr Porter, the influential online menswear
emporium, has chosen to sell.
Samsung's decision to pick an established American designer and
get buzz stateside and a different kind of social-media traction
may prove savvy for its global expansion goals. According to
Statcounter, a web-traffic analysis site, in January of this year,
Apple had 57.4% of the mobile-vendor market share in America
compared to Samsung's 25.6%. Is Samsung trying to take things from
Apple? "Sure," said Mr. Baker, adding that the company is
particularly focused on "how to be more successful here in the
States."
For tech companies launching new phones, the
fashion-collaboration gambit is a familiar one. In 2004, Motorola
introduced a diamond-encrusted version of its i833 phone in
partnership with Baby Phat; a year later, Donatella Versace
collaborated with Nokia on an 18K gold slide phone; in 2007, LG
worked with Prada on a touchscreen mobile and Samsung partnered
with Giorgio Armani on the super-slim SGH-P520 model.
Those collaborations, however, arrived at a time when phone tech
had only fitfully evolved. The idea of a "luxury" phone was a
punchline when a cell lasted about a year before it broke or the
technology became obsolete. Ben Wood, chief of research at CCS
Insight, noted that past fashion collaborations fell short because
the phones were unintentionally disposable. "A scuffed-up Prada
phone with a cracked screen is not what Prada's designers would be
aspiring to deliver," said Mr. Wood, who collects old cell phones,
including a couple of beat-up LG Prada phones. In nearly all cases,
these past partnerships between the tech companies and the
designers did not endure beyond a single model. (So far, Samsung
and Thom Browne have not announced plans for a continued
partnership.)
Today, smartphones can last considerably longer and have
infiltrated nearly every waking second of our lives, making it seem
reasonable to invest as much in a phone as you might for a high-end
suit. An iPhone X can cost upwards of $1,149 and arguably conveys
as much cachet as a suit. In interviews, both Stephanie Choi, head
of global marketing of Samsung Mobile, and Mr. Browne discussed the
Flip device as if it were a fashion accessory. It "is made for the
luxury consumer who wants to make a statement," said Ms. Choi. For
his part, Mr. Browne said the phone functions as a "fashion-first
product, as well as being cutting edge technology." Sort of like a
pocket square, but with 5G capabilities.
Write to Jacob Gallagher at Jacob.Gallagher@wsj.com
(END) Dow Jones Newswires
February 18, 2020 11:52 ET (16:52 GMT)
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